Let them decide. – Craft Gossip

My mother has sewn, crocheted, knitted, and done practically everything else her entire life. When I was young, she tried to get me interested in crafting, but it just wasn’t my thing. I remember when she tried to teach me to crochet, it wasn’t a pretty sight! It just wasn’t my time. Now, I love to craft, though I still can’t crochet! My daughter, on the other hand, loves to make things. Her very favorite thing to do is to draw and she is very talented if I do say so myself. I guess what I’m trying to say is introduce new things to your children. Show them that there are many creative outlets and help them find the one they enjoy the most. They may be like me, Lord help them, and not discover the joys of crafting till later in life, or they may be like my daughter and want to learn how to do something new all the time.

Why don’t you start off with this easy project. (This project is recommended for children ages 4 and up. Parental supervision is required because of the use of an iron.)

Here’s what you need:

Wax Paper
Crayons
a pencil sharpener
scissors
ribbon
a hold punch
an iron
2 brown paper bags

Tear off a piece of wax paper about a foot long and place it on top of a brown paper bag. Let you child peel the papers off of the crayons and then “sharpen” them with the pencil sharpener over the wax paper. These are the shavings that will create their sun-catcher. Make sure the shavings don’t pile up too high because it makes it difficult to iron. When your child has a look he likes, place another piece of wax paper over the shavings. Now you should lightly press over the bag with your warm iron. Peek to see how well the shavings are melting to determine if you need to turn the heat up on your iron.

Once the paper has cooled to the touch, with safety scissors, let your child cut out shapes like hearts, stars, crosses, you get the idea. You may want to trace the shapes and allow your youngster to cut along the lines. The final step is to punch a hole at the top, thread the ribbon through, and hang your child’s work of art in a sunny window. His face will light up when he sees how proud you are of him. Don’t forget to make one for Grandma!

Read These Next

I’ll admit it—I’m a sucker for vintage craft books. There’s something about flipping through the words of long-gone authors who took stitching very seriously (and often a little poetically) that makes me feel like I’ve joined a timeless club of thread-wielding women. That’s exactly how I felt diving into Chats on Needlework by Emily Leigh Lowes.

Originally published in 1906, this book is part history lesson, part opinion piece, and part how-to guide—with plenty of Victorian flair. And while some parts definitely show their age (in both language and perspective), it’s a fascinating and surprisingly enjoyable read if you’re into embroidery, textiles, or the roots of decorative arts.

Lowes doesn’t just “chat” about needlework—she lectures in a charming, tea-time sort of way. You get insight into historical stitching traditions from various cultures, plus commentary on the evolution of embroidery, tapestry, lace, and even ecclesiastical needlework. It reads like a stitched-together tour of museums and manor houses, narrated by someone who’s passionate, particular, and a bit sassy at times.

If you’ve ever wondered how medieval embroidery compares to Renaissance techniques—or what 19th-century women thought about machine-made lace—this book is your jam.

What stood out to me was how much Chats on Needlework made me think about the meaning behind the stitches. Lowes reflects on craftsmanship, aesthetics, and the cultural importance of handwork with a kind of reverence that honestly made me put down my current WIP and just appreciate it for a moment.

It’s not a how-to book, so don’t expect stitch diagrams or patterns. But it will deepen your love of needlework, especially if you’re the type who likes to pair your stitching with a strong cup of tea and a deeper sense of purpose.

Fair warning: Some references feel dated (as expected from a book written over a century ago), and the writing style is formal, with long-winded passages that take their time. But if you love reading about the why behind the craft, and if historical context inspires your creativity, you’ll enjoy this as much as I did.

I especially loved how she emphasized that needlework should be both beautiful and useful—something I’ve been trying to keep in mind as I mend old clothes or embroider reusable linens.

Chats on Needlework isn’t a flashy how-to or a Pinterest-ready pattern book. It’s more like sitting down for a fireside chat with your great-great-grandmother—one who had strong opinions on silk floss and medieval tapestries.

If you love textile history, appreciate slow crafting, and want to understand how embroidery was viewed before it became a hobby, this book is a little gem. It’s also great for anyone researching historical needlework for reenactments, costume work, or just creative inspiration.

Would I recommend it?
Absolutely—for the thoughtful, curious stitcher who wants more than just pretty stitches. It’s not for everyone, but for the right reader, it’s pure gold (or at least goldwork).

4.5 out of 5 samplers.
(Minus half a point for the occasional archaic ramble—but honestly, that’s part of the charm.)

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Have you read?