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Tips for Grout Issues from CMA

May 14, 2011 by Cathi Milligan

This was in an email sent to members of CMA (Contemporary Mosaic Art) website…

A message to all members of CMA

CMA Member News Reporter

Submitted by Tricia Huffman

May 14, 2011

Grouting Continued..

Since this is the finishing touch to your hard work, I am expanding on the issue of grout issues from last report to address some questions that came to me as a result.
I went to the experts whom manufacture these products, with my questions about it; here is what they said. “Over mixing or adding too much water to the mix would indeed weaken the strength of the grout joint and cause pin-holes and possibly efflorescence. If mixed according to manufacture instructions, adding more dry grout would not be needed. ( Though some artists use this technique when water supplies are limited, and have claimed great success with it.)
As far as using pigment to over-colour cured, unsealed ,non-epoxy grout joints, he indicated that using dry (French) pigments mixed with a tiny amount of water would indeed be permanent, and would have the same effect as grout stains currently on the market .
The last issue to address this month would be efflorescence, which is a white, chalky haze that sometimes appears on grout after it has cured. Here is a list of some of the causes.
1. Too Much Water was used when grout was mixed.

2. Concrete substrate had not fully cured or had a moisture vapor issue prior to adhering mosaic.

3. Water used in mixing or cleaning the grout was high in chlorine or had a high mineral content.( Pond water or home water softeners and city water that is heavily chlorinated or has a high mineral content can contribute to efflorescence.)

4   Temperatures were too cold while grout was curing.

5. Grout joints were wiped excessively during initial cleanup.

6. Standing water was left in empty grout joints prior to
grouting.

7 Tile was especially dense and nonporous.

8 Grout was prematurely exposed to heavy amounts of water before it had a chance to cure.

Always consult manufacture instructions for your particular needs.

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Knit a Blanket with the Texture of a Ceiling

Knitwear designers can get inspiration from almost anything when it comes to re-creating a color scheme, an image or a texture in stitches. Sometimes the inspiration isn’t always obvious in the finished project, but sometimes it’s more literal. 

That’s the way it is with the Tin Ceiling Blanket from Purl Soho. Not just because the inspiration is in the name, but if you’ve ever seen one of these old ceilings you can see that the design of the blanket is quite similar to the pattern of the tin tiles. 

This is also a good example of the idea that you don’t have to use fancy stitch patterns or lots of color to make a big impact with your knits. This single-color blanket (designed by Gianna Mueller and inspired by a washcloth and towel set designed by Sandi Rosner) is made completely with knits and purls, other than slipped stitches at the beginning of rows to make neater edges. 

The pattern is written out row by row, but there’s also a chart, which means this project is a great opportunity to practice reading a chart where you can check your work against the written pattern if you need to. 

It comes in two sizes, a crib blanket and a throw. The yarn used in the sample is an organic cotton sold by the cone, which is a great way to get a large quantity of yarn and have fewer ends to weave in. In fact, you can knit either size of the blanket with just one cone of yarn, which isn’t inexpensive but makes you a great, sturdy, heirloom quality but still washable blanket you’ll use for years to come. (Of course you can use any sport weight yarn you like to make this blanket.)

Check out all the details and grab the free pattern from Purl Soho. 

[Photo: Purl Soho]

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