Review: Harmony Opaque Pigment Ink Pads by Spectrum Noir

I recently got a chance to try some of the brand new Harmony Opaque Pigment Ink Pads from Spectrum Noir. These ink pads come in 36 beautiful colors, in the same shades as their other Harmony Ink Pads (Quick-Dry Dye and Water-Reactive Dye). Since these pads are pigment based they are slow drying which means they are perfect for techniques like Ink Blending and Heat Embossing, as well as regular stamping. The colors are really rich and are also acid and fade free.

[youtube https://youtu.be/dL08jr__9k8&w=400&h=225]

I created a few card with these new inks starting with a Unicorn Shaker Card. I ink blended my background with the Pale Fig, Pink Tulip and Fuchsia pads. I found they blended really nicely and I was able to get smooth build-able coverage. I also heat embossed my images with the Black ink and words in Fuchsia, both with clear embossing powder to get a lovely shine. I filmed a card tutorial with a closer look at the pads so you can see them in action. Watch the video above or click here to watch on Youtube.

Next I made a spooky Halloween card with several different techniques. Using the White ink pad, a blending brush and a cloud stencil I created my background. These inks work really well with stencils! I used the Lemon Tonic, Honey Pot and Black inks with a layering pumpkin stamp. I heat embossed my text in Pale Fig and other images in Black ink. I used the Lemon Tonic to ink up the moon and Black to add some shading to my die cut creepy tree.

For my last card I again used a stencil for my background, inking it with Lemon Tonic and Honey Pot inks. I heat embossed all my images in Black with clear powder and colored them with Spectrum Noir Alcohol Markers. My text was embossed with the Honey Pot ink, I love how the colors really pop on white paper when embossed!

I hope you’ve enjoyed taking a look at the brand new Spectrum Noir Harmony Opaque Pigment Ink Pads.

Click here to purchase them on line from Crafter’s Companion.

-Heather

It’s one thing to follow a knitting pattern and get the fit that the designer wanted for that particular project. But it’s quite another thing to decide how you want your sweater to fit and making a project work for you.

Designer Kim McBrien Evans aims to help knitters understand why sweater patterns don’t always work for them the way they expect and what to do about it in her book The Knitter’s Sweater Fitting Bible.

She describes the book as containing “everything I’ve learned about sweaters, bodies, and the art of fit.” It covers how to plan for a good fit through things like taking measurements and choosing the correct size to knit, understanding ease, reading schematics and fixing fit issues.

Sweater style templates give knitters a place to start knitting better sweaters with made to measure patterns that work with any body, any yarn and any gauge. The book is designed to give knitters confidence to go their own way whether they’re modifying existing patterns, using one of the templates or designing their own custom sweater.

McBrien Evans argues that the best way to make a sweater that will fit well and stand up to lots of wearing is to work from the top down flat in pieces that are seamed when the knitting is done (the exception being circular yoke sweaters, which are worked in the round from the top down). She offers advice for making seaming easier like using selvedges and short rows.

She goes into a lot of detail on how and where to measure yourself and how to understand schematics in knitting patterns to help you choose the correct size for you and know where to adjust. The fixing fit chapter covers how to fit a sweater to your body from the shoulders down, with tips for things like balancing uneven shoulder height, accommodating a larger bust, using different shaping on the front and back of a sweater for better fit, fixing neckline depth and fixing sleeve and body lengths.

The book includes photos and drawings of people of different sizes and with physical differences such as a smaller limb or having a mastectomy on one side, which is nice and helps you see how these concepts work on different bodies.

The sweater templates offer options like a straight body, A-line and waist shaping body; set in sleeve caps and armholes, straight raglans and modular compound raglans, drop shoulders and circular yoke shaping; crew, scoop and V-neck options; a variety of sleeve templates, neckline finishes, and button hole options for cardigans.

It’s easy for all this to feel overwhelming if you’re trying to read the book cover to cover, but it’s good to know that all of those options are there if you need them. There are also nine design profile sweaters that show you how all the pieces go together that you can knit through to help you understand some of the concepts.

A fit kit in the back walks you through the math so you’ll feel comfortable with things like determining your rate of shaping, adding darts, shaping diagonals and calculating the lengths of curved edges, among other things.

The good news is you’re not going to need all of these tools for every project. The better news is that now you know these are things you can do to make your sweaters fit better, and you’ll have McBrien Evans as your able guide every step of the way.

While this might not be a book you want to spring on a new sweater knitter, it’s a guide that everyone who enjoys knitting garments should have on hand to reference ways to make sweaters they want to knit — from written patterns or designing for themselves — that much better.

About the book: 192 pages, hardcover, 9 patterns. Published 2026 by David & Charles. Suggested retail price $29.99.

Have you read?