Product Review: Anna Griffin Card Kit

Hi everyone, today I’m super excited to bring you a product review for Anna Griffin. I recently got the chance to try out one of her card kits and was so impressed with the detail, beauty and ease of construction of the card designs! If you’re new to Anna Griffin here’s a little background:

Anna Griffin Inc. is an internationally known, high-end gift, stationery, and craft brand located in Atlanta, Georgia. Founded in 1994 by Anna Griffin, the company filled a gap in the market for bespoke, one-of-a-kind wedding invitations. This has since blossomed into an award-winning business that brings heartfelt moments to homes around the world through everything from card-making kits to luxury stationery. Today, Anna Griffin products are beloved by crafting enthusiasts and beginners alike for their thoughtful touches.

The kit I used is called Simply Perfect Patterns, it comes in a nice reusable frosted plastic box that is perfect for storing your cards once they are made to keep them safe until you send them to family and friends. Inside the kit is 12 shaped cards and envelopes, 12 printed vellum layers, 24 3-D elements, 12 3-D sentiments, 24 flat embellishments, 12 gold bows, foam adhesive and an inspiration sheet.

Everything you need is included in the kit to make 12 stunning dimensional and detailed cards. The included sheet shows you ideas to create 12 cards, perfect to follow along for beginner card makers or if you’re more experienced you can play and mix and match like I did for your own unique card designs. You’ll notice on some cards I even added embellishments on the flap of the envelope to create a faux seal.

The Simply Perfect Patterns Card Kit is an amazing choice for making Spring, Wedding, Mother’s Day and Birthday cards. I love all sweet sentiments and the gold foiling that’s incorporated with all the pretty florals and butterflies, there’s so much texture and shine! I tried to capture some of that golden glow in my photos.

On this card I also added an extra layer for the butterfly, cutting it from one of the vellum pieces for a 3-D effect on the wings.

I hope you’ve enjoyed taking a look at all the cards I created with this lovely card kit!

Click here to shop for the Simply Perfect Patterns Card Kit and visit Anna Griffin to check out all the amazing products they offer. Also if you’re a scrapbooker keep your eyes peeled on the Scrapbooking blog soon for another Anna Griffin review!

You’ll also want to learn about Anna’s upcoming event, Create Crop At Home, from May 2-4, 2025! It’s a virtual event where you can participate in three days and nine classes from the comfort of your own home. Here is Anna’s blog post with all details.

-Heather

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I’ll admit it—I’m a sucker for vintage craft books. There’s something about flipping through the words of long-gone authors who took stitching very seriously (and often a little poetically) that makes me feel like I’ve joined a timeless club of thread-wielding women. That’s exactly how I felt diving into Chats on Needlework by Emily Leigh Lowes.

Originally published in 1906, this book is part history lesson, part opinion piece, and part how-to guide—with plenty of Victorian flair. And while some parts definitely show their age (in both language and perspective), it’s a fascinating and surprisingly enjoyable read if you’re into embroidery, textiles, or the roots of decorative arts.

Lowes doesn’t just “chat” about needlework—she lectures in a charming, tea-time sort of way. You get insight into historical stitching traditions from various cultures, plus commentary on the evolution of embroidery, tapestry, lace, and even ecclesiastical needlework. It reads like a stitched-together tour of museums and manor houses, narrated by someone who’s passionate, particular, and a bit sassy at times.

If you’ve ever wondered how medieval embroidery compares to Renaissance techniques—or what 19th-century women thought about machine-made lace—this book is your jam.

What stood out to me was how much Chats on Needlework made me think about the meaning behind the stitches. Lowes reflects on craftsmanship, aesthetics, and the cultural importance of handwork with a kind of reverence that honestly made me put down my current WIP and just appreciate it for a moment.

It’s not a how-to book, so don’t expect stitch diagrams or patterns. But it will deepen your love of needlework, especially if you’re the type who likes to pair your stitching with a strong cup of tea and a deeper sense of purpose.

Fair warning: Some references feel dated (as expected from a book written over a century ago), and the writing style is formal, with long-winded passages that take their time. But if you love reading about the why behind the craft, and if historical context inspires your creativity, you’ll enjoy this as much as I did.

I especially loved how she emphasized that needlework should be both beautiful and useful—something I’ve been trying to keep in mind as I mend old clothes or embroider reusable linens.

Chats on Needlework isn’t a flashy how-to or a Pinterest-ready pattern book. It’s more like sitting down for a fireside chat with your great-great-grandmother—one who had strong opinions on silk floss and medieval tapestries.

If you love textile history, appreciate slow crafting, and want to understand how embroidery was viewed before it became a hobby, this book is a little gem. It’s also great for anyone researching historical needlework for reenactments, costume work, or just creative inspiration.

Would I recommend it?
Absolutely—for the thoughtful, curious stitcher who wants more than just pretty stitches. It’s not for everyone, but for the right reader, it’s pure gold (or at least goldwork).

4.5 out of 5 samplers.
(Minus half a point for the occasional archaic ramble—but honestly, that’s part of the charm.)

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Have you read?