Party Game – How To Make A Saran Wrap Ball

Saran wrap balls have been around for a few years, but have taken off this past Christmas with lots of households using them as a gift-giving game. They are lots of fun! I made one a few years ago for an Easter Picnic, I made one for the adults with items wrapped around a wine bottle. The trick to making them fun is choosing small items that are easily hidden. I used the Saran wrap or Glad wrap as it is known in other countries to hide in small items. White-coloured items, like notes etc are easy to hide.

For example in my wine bottle Saran wrap ball I had scratch lotto tickets, a sample pack of mini moisturiser and 4 pack of earbuds from a hotel. Of course I added some good things too, mini perfume samples, a pen and some chewing gum, all very easy to hide under the bottle or flat against the bottle. So as we got down to the bottom, everyone thought the wine bottle was theirs. Of course my version was for adults, but here are some variations of the Saran ball game you can make too. It’s used like a saran wrap pass the parcel and some of these blogs have created “Rules” and “Dice throwing” to add a little extra craziness to the Saran Wrap Ball game.

Check out our Printable Christmas party planners, Meal planners, and Christmas Gift lists in our online Printable Store.

Saran Wrap Ball Party Game

Saran Wrap Ball Game – Rules, Ideas + VIDEO

The Saran Wrap Ball Game Rules and Ideas

Playing the Saran Wrap Ball Game (Plus Secret Tip)

Saran Wrap Ball Game for Christmas

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I’ll admit it—I’m a sucker for vintage craft books. There’s something about flipping through the words of long-gone authors who took stitching very seriously (and often a little poetically) that makes me feel like I’ve joined a timeless club of thread-wielding women. That’s exactly how I felt diving into Chats on Needlework by Emily Leigh Lowes.

Originally published in 1906, this book is part history lesson, part opinion piece, and part how-to guide—with plenty of Victorian flair. And while some parts definitely show their age (in both language and perspective), it’s a fascinating and surprisingly enjoyable read if you’re into embroidery, textiles, or the roots of decorative arts.

Lowes doesn’t just “chat” about needlework—she lectures in a charming, tea-time sort of way. You get insight into historical stitching traditions from various cultures, plus commentary on the evolution of embroidery, tapestry, lace, and even ecclesiastical needlework. It reads like a stitched-together tour of museums and manor houses, narrated by someone who’s passionate, particular, and a bit sassy at times.

If you’ve ever wondered how medieval embroidery compares to Renaissance techniques—or what 19th-century women thought about machine-made lace—this book is your jam.

What stood out to me was how much Chats on Needlework made me think about the meaning behind the stitches. Lowes reflects on craftsmanship, aesthetics, and the cultural importance of handwork with a kind of reverence that honestly made me put down my current WIP and just appreciate it for a moment.

It’s not a how-to book, so don’t expect stitch diagrams or patterns. But it will deepen your love of needlework, especially if you’re the type who likes to pair your stitching with a strong cup of tea and a deeper sense of purpose.

Fair warning: Some references feel dated (as expected from a book written over a century ago), and the writing style is formal, with long-winded passages that take their time. But if you love reading about the why behind the craft, and if historical context inspires your creativity, you’ll enjoy this as much as I did.

I especially loved how she emphasized that needlework should be both beautiful and useful—something I’ve been trying to keep in mind as I mend old clothes or embroider reusable linens.

Chats on Needlework isn’t a flashy how-to or a Pinterest-ready pattern book. It’s more like sitting down for a fireside chat with your great-great-grandmother—one who had strong opinions on silk floss and medieval tapestries.

If you love textile history, appreciate slow crafting, and want to understand how embroidery was viewed before it became a hobby, this book is a little gem. It’s also great for anyone researching historical needlework for reenactments, costume work, or just creative inspiration.

Would I recommend it?
Absolutely—for the thoughtful, curious stitcher who wants more than just pretty stitches. It’s not for everyone, but for the right reader, it’s pure gold (or at least goldwork).

4.5 out of 5 samplers.
(Minus half a point for the occasional archaic ramble—but honestly, that’s part of the charm.)

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Have you read?