Knit Yourself a Puzzle Cube

I say this a lot, but I love it when people knit things that surprise me, make me think or make me laugh. This one kind of does all three! It’s not a new pattern but I think it’s worth taking a look at, and it would be a super fun stash buster to keep on your desk as a fidget.

It’s also a great conversation starter because this is the knit version of the Soma Cube (which also happens to be the name of the pattern), which was invented by Piet Hein in 1936 while he was listening to a lecture about quantum mechanics.

There are seven different pieces of various shapes that can be fitted together to make a cube. But the really cool thing is that there’s not just one way to put it together, there are in fact 240 different solutions! So you or your kids or anyone who happens by can play with it over and over and come up with different ways to make the cube.

It looks like this project is made with worsted weight yarn, though the pattern page on Ravelry actually doesn’t say. It looks like people have used fingering weight, DK and worsted weight yarns, which would make cubes of different sizes but the pieces should fit together all the same. There are even a couple of crochet versions!

I was looking at different projects and one person commented that it’s worthwhile to knit the pieces in the order they are given in the pattern because some of the later pieces are “strange and bewildering.” Which sounds like something I absolutely want to sign up for!

Despite the weird shapes there’s not a whole lot of finishing on each piece. The designers used polystyrene beads to fill their blocks, but you could also cut pieces of foam to fit.

The pattern is available on Ravelry.

[Photo: Pat Ashforth & Steve Plummer]

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I’ll admit it—I’m a sucker for vintage craft books. There’s something about flipping through the words of long-gone authors who took stitching very seriously (and often a little poetically) that makes me feel like I’ve joined a timeless club of thread-wielding women. That’s exactly how I felt diving into Chats on Needlework by Emily Leigh Lowes.

Originally published in 1906, this book is part history lesson, part opinion piece, and part how-to guide—with plenty of Victorian flair. And while some parts definitely show their age (in both language and perspective), it’s a fascinating and surprisingly enjoyable read if you’re into embroidery, textiles, or the roots of decorative arts.

Lowes doesn’t just “chat” about needlework—she lectures in a charming, tea-time sort of way. You get insight into historical stitching traditions from various cultures, plus commentary on the evolution of embroidery, tapestry, lace, and even ecclesiastical needlework. It reads like a stitched-together tour of museums and manor houses, narrated by someone who’s passionate, particular, and a bit sassy at times.

If you’ve ever wondered how medieval embroidery compares to Renaissance techniques—or what 19th-century women thought about machine-made lace—this book is your jam.

What stood out to me was how much Chats on Needlework made me think about the meaning behind the stitches. Lowes reflects on craftsmanship, aesthetics, and the cultural importance of handwork with a kind of reverence that honestly made me put down my current WIP and just appreciate it for a moment.

It’s not a how-to book, so don’t expect stitch diagrams or patterns. But it will deepen your love of needlework, especially if you’re the type who likes to pair your stitching with a strong cup of tea and a deeper sense of purpose.

Fair warning: Some references feel dated (as expected from a book written over a century ago), and the writing style is formal, with long-winded passages that take their time. But if you love reading about the why behind the craft, and if historical context inspires your creativity, you’ll enjoy this as much as I did.

I especially loved how she emphasized that needlework should be both beautiful and useful—something I’ve been trying to keep in mind as I mend old clothes or embroider reusable linens.

Chats on Needlework isn’t a flashy how-to or a Pinterest-ready pattern book. It’s more like sitting down for a fireside chat with your great-great-grandmother—one who had strong opinions on silk floss and medieval tapestries.

If you love textile history, appreciate slow crafting, and want to understand how embroidery was viewed before it became a hobby, this book is a little gem. It’s also great for anyone researching historical needlework for reenactments, costume work, or just creative inspiration.

Would I recommend it?
Absolutely—for the thoughtful, curious stitcher who wants more than just pretty stitches. It’s not for everyone, but for the right reader, it’s pure gold (or at least goldwork).

4.5 out of 5 samplers.
(Minus half a point for the occasional archaic ramble—but honestly, that’s part of the charm.)

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Have you read?