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How and Why to Cross Stitch on Plastic Canvas

August 21, 2024 by Sarah White

When I teach hand stitching to kids I always start them on plastic canvas because it’s stable and sturdy, there’s no question where your needle should go because the holes are big and obvious, and you don’t need a hoop to do it (and you can even use yarn instead of embroidery floss, which is great for little hands).

But plastic canvas doesn’t have to just be for practice or when you’re learning or teaching kids how to cross stitch. There are a lot of reasons you might want to use it for projects.

Notorious Needle has a great post all about the pros and cons of using plastic canvas for cross stitch, as well as the difference between perforated plastic and plastic canvas. It has great advice on choosing from the different colors of plastic canvas, getting ready to stitch and how to actually work with plastic canvas to make your project.

There are even tips for joining pieces of plastic canvas together to make a project (like those classic stitched plastic canvas tissue boxes) and how to finish the edges for a smooth look.

I have always liked the idea of using plastic canvas for things like magnets, keychains and backpack charms, but once you start playing with it I imagine you’ll come up with lots of potential uses for it.

If you sign up for email updates you can get a free pattern for a lovely monarch butterfly stitches on plastic canvas, which is shown here.

Check out the blog post at Notorious Needle for all the details and great tips to get you started on your plastic canvas journey.

Have you ever worked cross stitch on plastic canvas before? I’d love to hear what you made and if you have any tips to help others!

[Photo: Notorious Needle]

How to Cross Stitch on Linen

How to Cross Stitch on Paper

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Book Review: Cable Knitting Stitch Dictionary

Stitch dictionaries are a fun way to learn new-to-you knitting stitch patterns or to take a deep dive into a particular technique. Debbie Tomkies offers 100 cable stitch designs and thoughts on how to incorporate them into projects in her Cable Knitting Stitch Dictionary.

Each stitch pattern is shown in a large swatch photo and with written and charted instructions. Any special stitches are included on the page. The stitches are rated on a difficulty scale of 1 to 3, and the pattern notes also indicate how many extra stitches you should add to a project if you’re going to work this cable (since cables pull the fabric closer together you need to compensate for that) as well as how many stitches and rows are in the repeat if you want to design a project yourself.

The cables are arranged into sections: classic cables, combinations, all-over panels, creative cables, motifs and panels and cabled edges and borders.

It’s fun to flip through the designs to think about projects you can add a single cable or two to or make with an allover cabled design. Or you could make swatches of different cables and sew them together into a pillow cover or a throw.

At the back of the book there’s a section on general cable knitting techniques, reading charts, working swatches and avoiding errors (though it mentions working the wrong number of rows between cable turns, it doesn’t share how to count rows between cables to avoid this mistake).

It also talks about how to design your own cables, combine cables in a project, choose the right yarn and needles and determine how many more stitches you need to cast on when working cables instead of stockinette stitch. There’s also a glossary of symbols and abbreviations you may find in cable knitting and other patterns.

The book provides a good overview of things you can do with cables, as well as some fun things you might not have tried like infinity cables and horizontal cables. It’s a great book for a designer who likes to work with cables or a knitter who wants to play with different stitches in their projects.

About the book: 176 pages, paperback, 100 stitch patterns. Published 2024 by David & Charles. Suggested retail price $26.99.

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