Fix Your Face Mask With A DIY Brace

You are probably wondering what are we doing fixing masks? Well there is one vast difference between the N95 mask and the store-bought or handmade masks. It is the frame that creates a tight fit against your cheeks.

Former Apple engineer Sabrina Paseman cofounded Fix The Mask, an organisation that offers designs for a brace to make surgical masks more effective as hospitals grapple with N95 mask shortages.

So what is the problem with an ill fitting mask? Germs can get out and Germs can get in!

We have people who have a gaping big side gap that is allowing all the germs in and out, because the mask is not sitting properly on the face.

Here is a great video showing you how to make your own DIY Face Mask brace or face mask bracket using the simplest of supplies. This brace allows you to close the open sides by cupping the mask around your chin and nose.

Did you know there is now FDA Approved, home Covid test? you can read more about it here.

You can also buy a face mask bracket (This link now goes direct to our online store for bulk discount mask supplies)

. It is this cool plastic frame known as a mask bracket or brace, that sits inside your existing mask. It has two purposes.

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I’ll admit it—I’m a sucker for vintage craft books. There’s something about flipping through the words of long-gone authors who took stitching very seriously (and often a little poetically) that makes me feel like I’ve joined a timeless club of thread-wielding women. That’s exactly how I felt diving into Chats on Needlework by Emily Leigh Lowes.

Originally published in 1906, this book is part history lesson, part opinion piece, and part how-to guide—with plenty of Victorian flair. And while some parts definitely show their age (in both language and perspective), it’s a fascinating and surprisingly enjoyable read if you’re into embroidery, textiles, or the roots of decorative arts.

Lowes doesn’t just “chat” about needlework—she lectures in a charming, tea-time sort of way. You get insight into historical stitching traditions from various cultures, plus commentary on the evolution of embroidery, tapestry, lace, and even ecclesiastical needlework. It reads like a stitched-together tour of museums and manor houses, narrated by someone who’s passionate, particular, and a bit sassy at times.

If you’ve ever wondered how medieval embroidery compares to Renaissance techniques—or what 19th-century women thought about machine-made lace—this book is your jam.

What stood out to me was how much Chats on Needlework made me think about the meaning behind the stitches. Lowes reflects on craftsmanship, aesthetics, and the cultural importance of handwork with a kind of reverence that honestly made me put down my current WIP and just appreciate it for a moment.

It’s not a how-to book, so don’t expect stitch diagrams or patterns. But it will deepen your love of needlework, especially if you’re the type who likes to pair your stitching with a strong cup of tea and a deeper sense of purpose.

Fair warning: Some references feel dated (as expected from a book written over a century ago), and the writing style is formal, with long-winded passages that take their time. But if you love reading about the why behind the craft, and if historical context inspires your creativity, you’ll enjoy this as much as I did.

I especially loved how she emphasized that needlework should be both beautiful and useful—something I’ve been trying to keep in mind as I mend old clothes or embroider reusable linens.

Chats on Needlework isn’t a flashy how-to or a Pinterest-ready pattern book. It’s more like sitting down for a fireside chat with your great-great-grandmother—one who had strong opinions on silk floss and medieval tapestries.

If you love textile history, appreciate slow crafting, and want to understand how embroidery was viewed before it became a hobby, this book is a little gem. It’s also great for anyone researching historical needlework for reenactments, costume work, or just creative inspiration.

Would I recommend it?
Absolutely—for the thoughtful, curious stitcher who wants more than just pretty stitches. It’s not for everyone, but for the right reader, it’s pure gold (or at least goldwork).

4.5 out of 5 samplers.
(Minus half a point for the occasional archaic ramble—but honestly, that’s part of the charm.)

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Have you read?