Book Review: Knitstrips Comic Book

Knitting patterns are generally presented more with words than pictures. Yes, there are photos and video tutorials that often accompany knitting patterns, but for the most part the techniques, and the patterns themselves, are described with words.

Knitstrips still has a lot of words, but these knitting patterns are presented as comic strips rather than text-based patterns with photographs.

The 22 patterns in the book are divided into four themes:

OMJOM (one more, just one more): easy, addictive projects you can’t get enough of
Focus Pocus: projects that require more attention and technique
STASH (skeins that are special and here): projects for showing off that yarn you already have
Bucket List: projects you’ve always wanted to try but haven’t made yet

The illustrations help tell the story of different projects, as well as illustrating techniques and helpful hints.

The idea of the book is what it calls “interactive knitting,” which puts the knitter in control by not providing a particular gauge or yarn weight you should use for each pattern. Instead, each pattern suggests a type of yarn or gauge you’re going for to get the best results with the pattern.

An airy gauge, for example, shows space between the stitches and the knit fabric makes a puddle when you drop it on the ground (or a table, if you prefer), while a medium gauge doesn’t let a lot of light through and makes “mounding peaks” when dropped.

Each pattern shows how the project is constructed and uses both words and illustrations and they often include charts to show you how the project is constructed.

While you’re able to use any yarn and gauge that you like or have available, the designers also offer a yarn suggestion for their projects.

The projects range from a simple stash busting bias knit garter stitch scarf to a two-color brioche cowl. There’s a log cabin baby blanket, a sequence knit hat, a “pajama sweater” (like a pullover shrug), a cowl-collared tunic, a pair of toe-up socks and more. Check out most of the patterns on Ravelry.

There’s a wide rang of styles and skill levels involved, but most are suitable for confident beginners or intermediate knitters. There are no learn to knit instructions here so if you’re a complete beginner you’ll need to learn the basics elsewhere.

The style of this book is a lot of fun and it would make a great gift for a knitter friend. My only complaint is there are no photos of the finished projects (but if you look on the project pages on Ravelry you can see finished projects from some of them).

About the book: 160 pages, paperback, 22 patterns. Published March 2022 by Abrams. Suggested retail price $27.50.

Get the book here: Knitstrips

Dear Crafty Readers,
“I run my sewing business from home. I don’t have a shopfront. I don’t clock in and out. I just sew in my own space, around my own schedule.
And because of that, people assume I’m endlessly flexible.
When someone needs something urgently, they’ll ask if I can ‘just squeeze it in.’ They’ll message late at night. They’ll explain how important the deadline is to them.
I started charging a rush fee.
And that’s when the pushback began.
‘But you’re already home.’
‘It shouldn’t cost more if you’re not travelling anywhere.’
‘Can’t you just do it this once?’
A few people have acted genuinely offended — like I’m being greedy or unreasonable.
Now I’m second-guessing myself.
Am I the asshole for charging extra for rush orders, even though I work from home?
— Anonymous

If you’ve ever felt awkward adding a rush fee — or tempted to waive it just to avoid tension — you’re not alone.

This question cuts right to the heart of how creative, home-based work is still misunderstood.

Why “Working From Home” Changes How People Treat You

There’s a strange assumption that if you work from home, your time is somehow more flexible — or less valuable.

People often think:

You’re already there
You can just reshuffle things
You’re not “really” inconvenienced

What they don’t see is that home-based work still has:

Schedules
Commitments
Limits
Personal time

Being at home doesn’t mean being on call.

What a Rush Order Actually Costs You

A rush order isn’t just about sewing faster.

It often means:

Dropping other work
Rearranging personal plans
Sewing late into the evening
Working under pressure
Carrying someone else’s urgency

That urgency has a cost — even if it doesn’t show up on a receipt.

“But It’s Just One Item…”

This phrase is another familiar one.

A rush order is rarely just one item. It’s the mental load that comes with:

Watching the clock
Worrying about deadlines
Rushing decisions
Feeling responsible for someone else’s timing mistake

That pressure deserves compensation — not guilt.

Why Rush Fees Feel Uncomfortable to Charge

Many sewists hesitate to add rush fees because:

They don’t want to seem difficult
They fear losing the sale
They worry about appearing greedy

But a rush fee isn’t a punishment. It’s a boundary.

It tells customers: This is possible, but it costs more because it costs me more.

The Double Standard Around Creative Work

Interestingly, rush fees are widely accepted in other industries.

People expect to pay more for:

Express shipping
Same-day services
Last-minute bookings

But when it comes to handmade or creative work, that logic often disappears — especially when the work happens at home.

That double standard puts unnecessary pressure on makers.

When Waiving Rush Fees Backfires

Many sellers learn this the hard way.

When you don’t charge extra for urgency:

Rush orders become expected
Boundaries blur quickly
Stress increases
Resentment builds

What starts as flexibility can quietly turn into burnout.

Is Charging Extra Unfair — or Honest?

This is where opinions really split.

Some readers will say:

“A rush fee is completely reasonable.”

Others might argue:

“If you can do it, why charge more?”

And a few will admit:

“I never thought about the impact of urgency.”

All of those perspectives exist — and they’re worth hearing.

So… Are They the Asshole?

There’s no universal answer here.

But there is an important question underneath it all:

Should working from home mean giving up control over your time?

For many sewists, the answer is a firm no.

Over to You, Crafty Readers

Now it’s your turn — and this one tends to spark strong opinions.

Do you charge rush fees?
Have you ever felt guilty enforcing them?
As a buyer, would you expect to pay more for urgency?
Or do you think rush fees are unnecessary?

Scroll down and join the discussion.
This is one of those topics where lived experience really matters.

(And if you’ve got a sewing dilemma of your own, you can submit it anonymously to Sewing.CraftGossip — sometimes the hardest part is asking the question.)

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